




The relief subject tells a distant story, Cupid, love, eros. The black rubber, soft and elastic, belongs to the present. On the wrist two far-apart ages meet, and the Easy bracelet carries that story into everyday life. It goes on with one gesture. It is an elastic ring that widens and adapts, finding the right size on its own. The relief stays still at the centre, held by the round frame of golden bronze, bright and light. Around ten grams, a weight soon forgotten. This is the bracelet that goes everywhere, to work and on a journey, and reaches the sea itself, the same sea Cupid crosses in the scene. The sea calf is an invented creature, imagined by the ancients to give Cupid a mount among the waves. Cupid is the boy who makes us fall in love, the winged god of love, the youngest of the gods. Together they stage movement and gladness, the fantasy of a love that plays and knows how to surprise. A story two thousand years old that, on this bracelet, settles naturally into the day of today. The motif comes in four colours. Sand has the warm, light tone of a beach in the sun. Pale Blue brings the clear sky above the water. Gold is a rich, amber shade, and lights up the subject like a small medal. Pink turns everything more tender, the gentle key of a game. The rubber stays black in every version, and sets off the colour like a clean frame. The bracelet arrives with two rubber bands as a gift, to change as you please and find the same Cupid each day. A small sea myth, ready to step out of the house with whoever wears it.
Important Notes
The jewels' colors in the photo may look different from the original one. This depends from the resolution. Each object is handmade and has unique characteristics.Let love take you in new directions.
In Roman mythology, Cupid (Latin cupido, meaning “desire”) is the god of desire, affection and erotic love. He is often portrayed as the son of the goddess Venus, with a father rarely mentioned. His Greek counterpart is Eros. Cupid is also known in Latin as Amor (“Love”). The Amores (plural) or amorini in the later terminology of art history are the equivalent of the Greek Erotes. Although Eros appears in Classical Greek art as a slender winged youth, during the Hellenistic period he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that remain a distinguishing attribute; a person, or even a deity, who is shot by Cupid’s arrow is filled with uncontrollable desire. The Roman Cupid retains these characteristics, which continue in the depiction of multiple cupids in both Roman art and the later classical tradition of Western art. Cupid’s ability to compel love and desire plays an instigating role in several myths or literary scenarios. In Vergil’s Aeneid, Cupid prompts Dido to fall in love with Aeneas, with tragic results. Ovid makes Cupid the patron of love poets. Cupid is a central character, however, in only the traditional tale of Cupid and Psyche, as told by Apuleius. Cupid was a continuously popular figure in the Middle Ages, when under Christian influence he often had a dual nature as Heavenly and Earthly love, and in the Renaissance, when a renewed interest in classical philosophy endowed him with complex allegorical meanings. In contemporary popular culture, Cupid is shown shooting his bow to inspire romantic love, often as an icon of Valentine’s Day.
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