A material that transforms — the plexiglass beneath the bezel takes Dionysus in a direction that belongs to him. The ring body is light, fluid, more contemporary — the god of transformation on a material that finds its expressive path in this ring. The neoclassical intaglio is of extraordinary quality, full of detail, deep, and the head fills the circular setting perfectly.
This ring has a modernity and at the same time an absolute classicism. It takes the proportions of a chevalier ring with the volumes and dimensions of a completely new jewel — important despite its harmonious and unobtrusive dimensions. Its roundness, the gilded bronze of the circular bezel and the intaglio create a whole that the name of the model evokes perfectly: mystery and fascination.
The renewal continues — the material changes, the light changes, the god expresses his essence.
Sand in the cameo on ivory is placid; on tortoiseshell the veins align in warm tonal accord; and on black, through the gold of the rim, the contrast is softened.
Through azure Dionysus speaks in a colour with the vitality of the full daytime sky — which ivory accentuates, tortoiseshell accompanies, and black emphasises with its depth.
With green the reference is to nature, to sacred woodlands, to the element closest to the god of free nature — alongside black it tells of the depth of invisible roots and vitality; ivory is the joy of that same vitality in full daylight; tortoiseshell is completeness, like a plant with its trunk and its leaves vibrant and saturated.
Pearl softens the features, almost declaring the peak moment of energy that vibrates across every material: the ivory base yields with its warm tones; tortoiseshell heightens the contrast; but with the gold of the bezel and pearl's luminosity everything becomes harmonious — and black emphasises, giving Dionysus presence through the different light effects across every surface of the jewel.
Every combination renews the expression.