



A young winged Cupid riding a mythological sea calf through the crests of the waves—this bracelet carries the grace and joyfulness of the sea directly onto the wrist, turning myth into movement. It is an enduring image of love's power to transform any element into pure, spontaneous play—a moment of absolute freedom and happiness. The story unfolds along the luster of the bronze chain, where every element rotates freely with the wearer's movement, offering a rhythmic perspective on this aquatic dance. In this combination as well, the central charm features the GTC signature on its reverse, carved into the bronze to create shifting reflections of light with every gesture. Within this bracelet lies the freshness of a love that, above all else, accompanies every step and every motion with effortless lightness. The narrative finds its pulse in a fresh, curated palette. The pairing of Sky Blue and Violet releases a modern energy, evoking the clarity of the sky blending with the creative pulse of violet.
The Assoluto Pearl version, featured in all three charms, allows this single colour to speak for itself—a choice that celebrates absolute purity, recalling the sun's brilliant reflection on rippling waves. The combination of Violet and Pink creates an evocative harmony where the sophistication of violet meets the softness of pink, mirroring the rich hues of a sea sunset. Carrying this bracelet is to embrace a legacy of carefree spirit, where grace leads every movement with a smile.
The sea's lightness becomes a jewel — effortless, joyful, and entirely free.
Important Notes
The jewels' colors in the photo may look different from the original one. This depends from the resolution. Each object is handmade and has unique characteristics.Let love take you in new directions.
In Roman mythology, Cupid (Latin cupido, meaning “desire”) is the god of desire, affection and erotic love. He is often portrayed as the son of the goddess Venus, with a father rarely mentioned. His Greek counterpart is Eros. Cupid is also known in Latin as Amor (“Love”). The Amores (plural) or amorini in the later terminology of art history are the equivalent of the Greek Erotes. Although Eros appears in Classical Greek art as a slender winged youth, during the Hellenistic period he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that remain a distinguishing attribute; a person, or even a deity, who is shot by Cupid’s arrow is filled with uncontrollable desire. The Roman Cupid retains these characteristics, which continue in the depiction of multiple cupids in both Roman art and the later classical tradition of Western art. Cupid’s ability to compel love and desire plays an instigating role in several myths or literary scenarios. In Vergil’s Aeneid, Cupid prompts Dido to fall in love with Aeneas, with tragic results. Ovid makes Cupid the patron of love poets. Cupid is a central character, however, in only the traditional tale of Cupid and Psyche, as told by Apuleius. Cupid was a continuously popular figure in the Middle Ages, when under Christian influence he often had a dual nature as Heavenly and Earthly love, and in the Renaissance, when a renewed interest in classical philosophy endowed him with complex allegorical meanings. In contemporary popular culture, Cupid is shown shooting his bow to inspire romantic love, often as an icon of Valentine’s Day.
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