A ring that is almost hypnotic, just as the face of Medusa in this intaglio. A composition steady, symmetrical, suspended — one that on this model becomes an object of extraordinary contemporaneity.

The gaze fixed straight ahead, the features carved with exceptional precision, the relief unfolding horizontally and taking all the room it needs. The black and white of the Dalmatian pattern with its brilliant finish accompanies this symmetry: in continuity, always together.

On this model, with the solidity of bronze and the lightness of the decoration, Medusa crosses time and arrives right here, worn on the finger. On the Dalmatian that perfect equilibrium is enriched with a new reading, and each colour carries one of the many facets her myth holds — those of one of the most enduring and layered figures the history of art has handed down to us.

The dancing forms of the ground accompany Medusa: black and white converse with the curls of her hair, adding a graphic rhythm to the image. The irregular scattered spots and her symmetry become intriguing, and when you look at her long enough everything seems to move with her. It is an intaglio that draws you in, the graphic elements make it magnetic.

The face in full light: white and its candour tell the emotions, expressing them outwards. Black instead carries them within. With Pale Blue the view opens wide, as if Medusa's eyes lost their borders, and everything becomes open. Pink lights up sweetness. White, pink and black — three tones modern, refined, unusual; each choice tells its own story, leaving to the wearer the final word.