




BACCHANTE — THE FACE BEFORE THE WORD Bacchantes in classical art appear in motion, in dance, in abandon. This cameo stops the face. On the round bezel of this bracelet there is a female head of great delicacy — the elegant profile, hair gathered with a few loose curls, the mouth slightly ajar as in the moment before speaking. An engraving that knows how to hold something that was about to happen. Looking at her is always an invitation to let go. The gold-plated bezel holds her with a soft, luminous frame, with great care. The chain supports the bezel on the wrist with great ease, keeping it fully in view. On the back, the GTc mark: a fully handcrafted piece, made in Italy. In light blue the face is vivid and contemporary — the open blue brings the portrait into the present with great energy, every line readable and alive, every curl sharply traced. In pearl there is a very pleasant iridescence: a surface that catches different reflections with every movement, always alive, always changing with the light of the day — one of the most loved colours on this jewel. In porphyry the material becomes enveloping and penetrating: it recalls the intensity of ancient frescoes, something deep and precious. A very evocative colour, one that wears beautifully. In red the contrast is strong and immediate: the face becomes a decisive presence, full of character, almost theatrical — a Bacchante returning to movement. A face that was about to say something — and every time you look at it, it seems on the verge of doing so again. Wearing it on the wrist is keeping it close, every day.
Important Notes
The jewels' colors in the photo may look different from the original one. This depends from the resolution. Each object is handmade and has unique characteristics.Lose control and find yourself.
Female followers of Bacchus, they used to celebrate the god by singing, dancing and wandering like animals. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. Historically The term maenad has come to be associated to women who worship the god, while Bacchantes had a true devotion for him. Often they are portraited with satyrs.
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