




Euripides holds all faces — he carries within him every character he brought to life, every story he dared put on stage: Medea. The Bacchae. Hecuba. He told the full complexity of the human soul with a realism that still lands today. The intaglio portrays him with a full beard, restless hair, the lines of a man who had lived deeply and never stopped watching the world. You look at this portrait once, then again — there is always something more to find. On the EOS ring, the round bezel holds the profile with absolute precision. The lower part of the ring is adjustable, allowing you to tighten or open it to your preferred size. The shank, built from two interlocking elements, is perfectly smooth on the inside, while the outer curves of the design are gently domed — a quality that gives the gilding on the bronze a beautiful luminosity, catching different light reflections with every movement. Yellow: a sharp lemon note beneath an ancient profile — the contrast between the colour's immediacy and the depth of the playwright is striking, joyful, entirely unexpected. Porphyry: the base deepens to something dense and warm, the substance of an ancient stone. Pink: quiet strength, something that eases the complexity of Euripides without diminishing it. Light green: sage, jade, a new shoot — the freshest of the four, opening the portrait towards something still becoming. The EOS is designed clean — the bezel follows the finger, and right there, within sight, is Euripides: the portrait of someone who knew how to tell the story of the inner life. Every facet of being human, still on stage in theatres around the world.
Wichtige Hinweise
The jewels' colors in the photo may look different from the original one. This depends from the resolution. Each object is handmade and has unique characteristics.Stay wise, even when emotions run high.
Ancient Greek Tragedian (Salamis 480 BC - Macedonia 406 BC). Many tragedians were inspired from him and his work, expecially latin tragedians; the orators, philosophers and writers had a deep admiration for him and tried to emulate his work. His most famous tragedy is the Alcesti (438) while the last one, Bacchantes, has been represented only after his death.
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