A round arena where light circles without interruption — the AURA's circular bezel changes the way the Cavallino appears. Muscles taut, mane in the wind — an animal that embodies virtues both divine and natural, perfectly framed in gilded bronze. The plexiglass ring body further emphasises the momentum the cameo expresses: a material light in essence yet substantial in form. A jewel of great presence, with its full volumes, proportions kept contained and curves kept soft.
The ring body is plexiglass — the shank adapts to the hand with fluidity, the weight contained, the jewel moving with the finger. The GTc signature is engraved on the bezel.
On black, the horse's profile emerges with the force of a bas-relief — lines lifting from the dark ground with graphic clarity: azure carries the horse towards the full afternoon sky, the colour of Giotto's Italy; white is the clarity of marble, every muscle in full light; black makes the silhouette absolute, profile against dark ground like an engraving; gold closes in warm dialogue between bronze and relief. On tortoiseshell, the veins of the plexiglass change from piece to piece, close-set and marked or soft — like a real shell, every ring is already unique before choosing the relief colour: azure vibrates among the natural tones; white brightens them; black strengthens them; gold warms them. On ivory, the natural bone tone softens the bronze's presence — every cut reveals different tonal gradations: azure opens towards the sky; white is almost monochrome; black offers the most elegant contrast; gold creates warm resonance between materials. Every combination renews the expression.
The gallop does not stop — only the ground beneath it changes.