




The Greek poet who observed with clarity the dynamics between gods and mortals — his profile emerges from the round bezel with the sharpness of an ancient portrait: the thoughtful brow, the regular features, the beard following the chin line. Euripide's capacity to describe emotion through a realism that still moves and inspires finds in this ring a new language — the language of colour and material.
The gilded bronze bezel distributes light evenly across the entire relief — readable from every angle. The jewel sits light on the finger, the plexiglass shank fitting with fluidity. The GTc signature is engraved on the bezel.
On transparent — full and clear, light passing straight through — the colours each tell the profile differently. Yellow is the most surprising: so vivid and contemporary against such a rigorous ancient face, it brings the dramatist into the present, keeping his past intact. Pearl is soft and luminous, enhancing the relief's volumes with delicacy. Porphyry carries the depth of history — the imperial stone against the poet's face. Light green is freshness, the seed that germinates and renews. On black, the intaglio lifts from the dark ground with clean graphic definition, every feature in full evidence: yellow warms the backdrop with contemporary force; pearl illuminates with delicacy; porphyry roots it in time; light green surprises with lightness. On tortoiseshell, the veins of the plexiglass run differently in every piece — tight or soft like a real shell, every ring unrepeatable: yellow vibrates among the warm tones; pearl brightens them; porphyry deepens them; light green opens them toward the new. Every combination renews the expression.
The thought remains lucid — the material around it has grown light.
Wichtige Hinweise
The jewels' colors in the photo may look different from the original one. This depends from the resolution. Each object is handmade and has unique characteristics.Stay wise, even when emotions run high.
Ancient Greek Tragedian (Salamis 480 BC - Macedonia 406 BC). Many tragedians were inspired from him and his work, expecially latin tragedians; the orators, philosophers and writers had a deep admiration for him and tried to emulate his work. His most famous tragedy is the Alcesti (438) while the last one, Bacchantes, has been represented only after his death.
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